As a caregiver, “you can become a little bit numb because you have to be very functional,” he said. “The only times I would go and make music was when she was in the hospital for the day,” Sampha said. (His father had died from the disease nearly a decade earlier.) As Sampha’s somewhat mystical reputation bloomed, taking him to studios in Italy with Kanye and Staten Island with Solange - and priming an eager industry for his star turn - he was called home in late 2014 to the London suburb of Morden to care for his ailing mother, who had cancer. There were other considerations during his slow ascent beyond self-consciousness. “I didn’t even have a microphone at home - I would have to go to someone else’s house to record.” “When I started, I was just making lots of beats, and I wasn’t even intending to sing over them,” Sampha said last month in a low murmur, trailing off more often than he finished sentences. When a career in music dawned on him, he thought of becoming a producer like Pharrell or Timbaland. As a child, he was known at home mainly as a dancer, doing Michael Jackson moves at the urging of his four much older brothers. So it’s peculiar, then, given his ability to touch souls with his voice, that Sampha (born Sampha Sisay) long shied away from singing. West’s “Saint Pablo,” Sampha has made himself a go-to collaborator for those in search of emotional heft. Through guest appearances on tell-all songs like Drake’s “Too Much” and Mr. Sampha, the experimental British pop singer and electronic producer, sounds like someone who has seen things.įor years, some of the biggest names in music (and the best talent scouts) - including Drake, Beyoncé, Kanye West and Solange - have deployed his lush, tender soprano, which can feel wounded but never weak, to telegraph their vulnerability.
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